10 Natural Disasters – And the Best Movies Depicting Them

Movies have been showing disasters almost from the inception of the film camera. Thomas Edison had a team that managed to get onto Galveston Island and record the devastation following the 1900 Cat 4 hurricane that destroyed much of the city. For narrative films, in 1913 there was a depiction of the last days of Pompeii, and a comet causes widespread destruction in 1916’s The End of the World. With the increasing sophistication of special effects, and now digital effects, filmmakers can convincingly show disasters as part of their movies. Below are listed ten natural disasters, and my choice for the best movies to depict them. (I’ll include some honorable mentions as well.) Please feel free to add your suggestions in the comments.

1) Flood: The Wave (2015)

According to the Bible, God promised Noah never to destroy the whole world again in a flood. But that hasn’t stopped parts from being washed away. The Wave is a Norwegian film about the collapse of the side of a fjord that sends a massive wall of water down the inlet towards a city. As the preamble of the film states, the movie’s based on past events that will likely again happen in the future. Click here to read my full review of this film. (Honorable Mention: The Impossible)

2) Hurricane: The Hurricane (1937)

This is the oldest movie to make this list, but there are reasons for its inclusion. Foremost, it was directed by a Hollywood legend, John Ford. Also, special effects probably became an Academy Award category because of this film along with San Francisco a year earlier. (The award was added for 1938.) While the main story of a Polynesian native and his wife (Jon Hall and Dorothy Lamour, slipping into a sarong for the first time) being persecuted by the island’s governor (Raymond Massey) is pretty standard, the climatic storm is intense even viewed with today’s eyes, as you can see in this clip. (Honorable Mention: The Perfect Storm)

3) Plague: Contagion (2011)

Plagues have had devastating impacts on humans. The Black Death in the 14th Century killed 50 million, or 60% of Europe’s population, and the 1918 Influenza pandemic killed between 20-40 million worldwide, more than died in the four years of World War 1 leading up to the outbreak. For Contagion, Steven Soderbergh assembled a huge cast to populate this story of another worldwide pandemic. Along with depicting the plague and its effects, the movie is also a mystery story that slowly reveals the origin of the disease and its spread. My full review. (Honorable Mention: Outbreak)

4) Tornado: Into The Storm (2014)

In the age of storm chasers and compact video cameras, it’s hard to remember that tornadoes were once the rarest weather event caught on film. Now you can watch hours of them on YouTube. Likewise, visual effect twisters have come a long way from the 35 foot muslin tube around a chicken-wire frame used for the twister in The Wizard of Oz. While most people might choose my Honorable Mention, for me the best Tornado movie is Into The Storm. The film uses (for the most part) the found footage motif to assemble the story of an outbreak of storms that decimates a Midwestern city over the course of a few hours. Click here to read my full review. (Honorable Mention: Twister)

5) Earthquake: San Andreas (2015)

I could have selected San Francisco, another granddaddy of the disaster genre, with its depiction of the 1906 earthquake and fire. However, I chose San Andreas because, different from many disaster movies, it gives its main characters intelligence. While it’s thrilling, it could also be used as a public service announcement of what to do during a quake. Much of the action is over the top, especially with the number of high rise buildings that fall like dominos, though that’s not completely out of the question. The Millenium Tower in San Francisco has sunk a foot and a half since it opened 8 years ago, and it has tilted 2 inches to the northwest. It’s located in an area where the ground could liquefy during a major quake, so San Andreas might be prescient. My full review. (Honorable Mention: 1936’s San Francisco)

6) Volcano: Volcano (1997)

This disaster has an overabundance of dishonorable mention movies, including the geographically-challenged Krakatoa, East of Java, the Irwin Allen disaster of a disaster movie, When Time Ran Out, and the 2014 embarrassment Pompeii. 1997 saw two volcanic movies released, Dante’s Peak (with Pierce Brosnan and Linda Hamilton) and Volcano (with Tommy Lee Jones and Anne Heche). Neither are great, but I’m choosing Volcano because it has a cockeyed comic edge that helps you forgive the stereotypical characters and ham-fisted directing. Dante’s Peak, on the other hand, is deadly serious. Neither film erupted at the box office, but Volcano did have the one of the best movie poster tag lines ever: “The Coast Is Toast.” (Honorable Mention: 1961’s The Devil at 4 O’Clock)

7) Famine: Distant Thunder  aka Ashani Sanket (1973)

Famine is not a theme that is dealt with often in movies in North America or Europe. About the only time its possibility is faced is in science fiction, as seen in the honorable mentions. But in other places on the globe, famine is an immediate concern. Distant Thunder was made in 1973 by one of the greats of the Indian film industry, Satyajit Ray. Set in the middle of World War II, it focuses on the newly installed leader of a village in India, and on his wife. A famine grips the area and reaches catastrophic proportions. While the leader seeks to maintain his privileged position, his wife seeks to help the victims of the famine. (Honorable mentions: Interstellar, Soylent Green)

8) Climate Change: The Day After Tomorrow (2004)

One problem with depicting climate change is that it happens gradually. Yet the effects are there to be seen in warmer average temperatures, more intense weather events, and changes in water levels. The best movie on this subject would be An Inconvenient Truth (2006), which has a sequel being released later this year: An Inconvenient Sequel: Truth to Power. But we’re not dealing with documentaries here. So while climate change is referenced in movies like Interstellar and Into the Storm, the narrative film that focused on climate change was The Day After Tomorrow. Disaster specialist Roland Emmerich put climate change on fast forward and postulated what would happen if the change, leading to a new ice age, occurred in weeks instead of gradually. While it’s a popcorn movie entertainment, it’s worth remembering that it came out the year before Hurricane Katrina and 8 years before Hurricane Sandy. Where we used to talk about the storm of the century, we’re now down to the storm of the decade. (Another reason for choosing it: Al Gore used a clip from the opening sequence of Day After Tomorrow in his film)

9) Asteroid/Meteor Impact: tie – Seeking A Friend For The End of the World (2012) and These Final Hours (2013)

There have been extinction-level events caused by asteroids or meteors, but not since man came on the scene. The Tunguska Event in Siberia in 1908 was the largest in recorded history, caused by an object estimated to have been 200 to 600 feet in size. Rather than impact, it blew up in the air with the force of 10-15 megatons – about 1000 times more powerful than the Hiroshima A-bomb – and flattened 830 square miles of trees in an uninhabited area of Siberia. That’s large enough to destroy New York City and much of the surrounding area. But there are objects out there that are measured in miles. If they hit us, that would be the end. Two movies in 1998 – Armageddon and Deep Impact – had astronauts saving the world by breaking up the asteroid, but the fallacy of both movies is that there’d be a lengthy warning of the approaching object that would allow a mission to be launched. Instead, it’s likely we’d only have a short time to prepare for the end. Seeking a Friend… and These Final Hours both deal with that eventuality, though from different perspectives. Seeking a Friend… is pre-impact and follows Steve Carell trying to help Kiera Knightly get home to England before the end. It treats the situation as black comedy. These Final Hours is an Australian film set after the impact with a firestorm wave sweeping around the world. In the twelve hours before destruction reaches Australia, a ne’er-do-well discovers his humanity by helping a young girl separated from her parents. (Both films are currently available on Netflix.)

10) Miscellaneous Catastrophe: The Children of Men (2003)

Films have presented disaster in many massive ways: a solar flare microwaving the Earth (Knowing); the disruption of the magnetic field (The Core); the liquefaction of the center of the earth causing catastrophic movement of the continents (2012). But Alfonso Cuaron’s 2006 film Children of Men, based on the P.D. James novel, has the world thrown into apocalyptic disarray because no children have been born in over two decades. England has become a dystopia where immigrants are herded into ghettos while society slides towards oblivion. But then a man (Clive Owen) is recruited by his estranged wife (Julianne Moore) to shepherd a young African woman out of England to meet a ship filled with scientists. The catch is the young woman is pregnant. This movie was sabotaged in the theaters by one of the worse trailers ever, but it’s a powerful film with scenes that stay with you long after the movie ends. (Semi-honorable mention: If you haven’t seen The Core, it’s worth a shot. While the premise is ridiculous, its cast is filled with exceptionally good actors and it has a gonzo sense of humor that serves it well.)

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It’s The End of The World as We Know It (Part II)

In the summer of 2013, I’d contrasted two “End of the World” movies that could hardly have been more different: World War Z and This Is The End. The latter movie took the apocalypse genre and played it for laughs, and did it successfully overall. It isn’t alone, though, in handling the Final Days with a laugh track. Within comedy’s broad umbrella, there are three other recent movies that have dealt with this – one with broad humor, one with a mix of pathos and outrageousness, and one that cast a jaundiced eye at what the experience would be like.

The World’s End (2013) was the final film in the “Cornetto” series – named for an addictive English ice cream treat that’s like a “Drumstick” in the US, but on steroids. All the movies were directed by Edgar Wright, written by Wright and Simon Pegg, and starred Pegg and Nick Frost. The first two films, Shawn of the Dead and Hot Fuzz beautifully spoofed the horror and buddy cop genres, while World’s End takes on science fiction.

Pegg plays a ne’er-do-well who gathers his old band of mates to do an epic pub crawl. Twenty years earlier, as fresh school graduates, the group had tried and failed miserably to make it through the ten pubs in their home town. The others in the group, played by Frost, Martin Freeman, Paddy Considine and Eddie Marsan, are roped in by Pegg, whose time in school was his high water mark. Once back home, Pegg meets up with the love of his early life, played by Rosamund Pike (Gone Girl). The group’s plans are compromised when they discover most of the town’s current inhabitants have been replaced by robots.

The film owes much to Invasion of the Body Snatchers, though Wright and Pegg put their own twist on it. Overall World’s End is the weakest film of the “Cornetto” series, but that’s in part because Shawn of the Dead and Hot Fuzz set the bar so high.

Seeking a Friend for The End of The World (2012) pairs Steve Carell and Kiera Knightly as two neighbors who are thrust together as a 70 mile wide asteroid approaches the Earth. Think Armageddon without Bruce Willis or any hope of salvation.

The movie also fits into the road trip genre. As society breaks down, Carell and Knightly leave the city where they’ve lived in pursuit of two final goals. For Carell, it’s to find a girl he’d loved and lost years earlier, while Knightly wants to somehow make it back to the British Isles to say goodbye to her family. While they travel together, what’s important to them slowly changes.

Seeking a Friend is unusual in its hopelessness, which is not something one often sees portrayed in a film – usually with good reason, since it kills the box office. Even with Carell and Knightly, the film only grossed about six million in theaters. It’s leavened, though, by several outrageous scenes, including having dinner at a chain restaurant that promotes happiness a little too forcefully.

It’s A Disaster (2012) was made for a micro-budget by writer/director Todd Berger, and had a micro box office during its brief release, but it’s now available on HBO and streaming services. You don’t usually think indie film and disaster flick at the same time, but Berger pulls it off.

Four couples come together for a “couples brunch.” Tracey (Julia Stiles), a single doctor, brings the man she’s dating, Glen (David Cross) to the home of Emma and Pete (Errin Hayes, Blaise Miller). Also there are Lexi and Buck (Rachel Boston, Kevin Brennan) who are loosely married, and Hedy and Shane (America Ferrera, Jeff Grace) who’ve been engaged for half a decade. The dinner party becomes uncomfortable quickly, but then they’re forced to stay together when a series of dirty bombs are exploded in the city and they must seal up the house to survive.

Berger presents eight modern, self-centered people who are pretty much useless in a crisis. Part of the fun is to see how most of them stay true to form even when faced with their own mortality, while some take a quick dive off the deep end. Think of the film as On the Beach played by the cast of “Seinfeld.”

If the world ever does come to an end, you might want to pass the time until the end binge-watching these films. Go out with a smile on your face.