Driven to Succeed

2015 should have been a great year for Edgar Wright. He’d first made his name in British TV, including “Spaced,” a series starring Simon Pegg that was a wildly inventive comedy. Switching to film, he created the Three Flavors Cornetto trilogy with Pegg and Nick Frost: Shaun of the Dead, Hot Fuzz, and The World’s End. Then he got the chance to write and direct Marvel’s Ant-Man, a dream project for Wright that he’d pushed to do for a decade. It would have been a major breakthrough into Hollywood, but “creative differences” led to Marvel replacing him at the start of filming. (He did get story and screenplay credits, but he’s said he’ll never watch the film.) Some people could be broken by the experience. Instead Wright has come back with his best picture ever, and my favorite film of the summer that doesn’t star Gal Gadot. Baby Driver takes the classic crime drama and gives it a nitro-injection that puts it into a new class.

Baby (Ansel Elgort) is a getaway driver par excelance. Atlanta crime boss Doc (Kevin Spacey) puts together different crews for different capers, but he always uses Baby to drive, almost as a good luck charm. The opening sequence underlines his prowess with a hi-octane race through the streets of Atlanta after a bank robbery executed by Buddy (Jon Hamm), Darling (Eiza Gonzalez), and Griff (Jon Bernthal).

A car accident when he was a child killed his beloved mother and abusive father, and left him with tinnitus that he plays music to cover. Baby lives with his adoptive father, Joseph (C.J. Jones), a wheel-chair bound deaf-mute who doesn’t approve of Baby’s work with Doc. Then Baby meets Debora (Lily James), a waitress in a coffee shop, and falls hard for her. He has one more job to do to settle a debt with Doc, and then he dreams of getting away with Debora. But getting out isn’t that easy.

As usual, Wright both directed and wrote the original script, and it retains his trademark comedy flair. A robber is told to get Michael Myers/Halloween masks and instead gets Mike Myers Halloween masks. Later, Baby takes Doc’s 8-year-old nephew along while casing a robbery target, and the kid proves better at the job than Baby. He also has a tracking shot during the opening credits that would have made Orson Welles envious (something he’d also done at the beginning of Shaun of the Dead). But in Baby Driver they’re pace points to give the audience a chance to breathe. When Baby’s behind the wheel, that chance is gone. Wright went old school with the action sequences, eschewing green screen and actually choreographing the chases with stunt drivers. You can practically smell the burnt rubber.

While shot mostly in the brilliant sunlight of Atlanta, Baby Driver has the DNA of film noir. Wright creates serious tension with Spacey’s and Hamm’s characters, as well as a lethal Jamie Foxx who comes in midway through the film. It gives a sharper contrast to Baby, who is bothered if anyone is harmed in the course of the capers.

Elgort made a name for himself with YA movies (The Divergent series, The Fault in Our Stars, Paper Towns) but here he graduates to an adult, action role and handles it beautifully. Lily James was luminous in Cinderella. In this film she oozes southern charm, even though the south that she’s from is Southern England. Hamm, Spacey, and Foxx have a field day with their roles, especially Hamm, though a wonderful discovery is Eiza Gonzalez. Her Darling is a bonny Bonnie to Hamm’s Clyde, and she matches the others in lethal intensity.

Wright has crafted an awesome soundtrack for the movie, blending T. Rex, Queen, and Beck with Martha and the Vandellas, Golden Earing, and Barry White. It underpins the movie, and at times even adds commentary to the action. The credits feature Simon and Garfunkel with their eponymously titled “Baby Driver” off of the “Bridge Over Troubled Waters” album.

A phrase often tossed about in the face of adversity is “Don’t get mad, get even.” After the experience on Ant-Man, Wright didn’t just get even, he excelled. If you like action, but wish it could be handled in an inventive, fresh way, with deep and interesting characters, this is the movie for you.